My Pop Life #206 : Summertime In My Heart – Electric Soft Parade


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Summertime In My Heart – Electric Soft Parade

I gotta say that it often feels
There’s someone watching over me
I don’t pray and I certainly don’t preach
Maybe it’s just wishful thinking
You gotta take the rough with the smooth
If you’re prepared to tell your own truth
It certainly don’t make me look cool
And maybe it’s just all this drinking 

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Alex and Tom White.  Tom has the tie.

I have to write a post on the White brothers.   It was, of course, music that brought us together.  Dear Kit Ashton, when he lived in Brighton, used to do a songwriter’s evening once a year, and I suspect it was Julian Deane – once of Toploader and now running Raygun Records – who suggested he contact me.  Kit emailed probably and said he was doing a David Bowie night, and which song would I like to sing?

Wow.

I said, without any hesitation, ‘Station To Station’ which rhymes, and the resulting rehearsals and live gig were among the highlights of my musical life.  Honest – I will write about the lowlights too at some point, but my favourites are the highlights.  They just are.  Call me old-fashioned.   I missed the earlier incarnations of Kit’s annual event, but they included Rufus Wainwright which is a show I’d have loved to have been involved in.  The following year we’d done Elvis Costello (or was it the previous year?) and that was brilliant too, mainly doing backing vocals and some sax, and singing a couple of leads.  Worth its own post.

Anyway the band on the Bowie gig included some folk I knew : killer guitarist Rachel Wood I’d seen in Paul Steel’s band, some special guests : Herbie Flowers, Glen Richardson, and some folk I didn’t really know, Joe on keyboards and Alex White on drums.  He was outstanding.  Was it the same night of the gig when we went back up Abbey Road to our house and got high and compared notes on depression and strategies for dealing with it?  And then Alex made me a CD with some cracking songs I’d never heard of – including: Ambrosia’s Running Away ; a blast from my own past which he’d somehow unearthed: Deaf School’s What A Way To End It All; a shared joy: Van Dyke Parks & Brian Wilson’s Orange Crate Art;  and most astoundingly, a cover that Alex had made by himself of a Todd Rundgren song All The Children Sing.  This blew my tiny mind, because it is a multi-layered exquisite piece of work in the original and Alex had somehow re-created its vibe note-perfectly.

I undoubtedly made him some kind of CD too, but lacking the cover version moment with me playing all the parts and singing all the harmonies.  I jest.  As any fule kno.  At this point I suspect I went back to listen to Electric Soft Parade all over again.

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Electric Soft Parade were Alex and his brother Tom White, previously members of Feltro Media, a Brighton band who’d recorded three (!) self-released albums in the late 90s.  I’ve not heard any of these.   Electric Soft Parade’s first album Holes In The Wall came out in 2002 and was nominated for a Mercury prize, two other great albums followed which I won’t go into here, but from around 2007 everything they’ve done together or singly has been self-produced.   When I met Alex, the band was on an extended hiatus, the two brothers being busy with their own projects as well as playing with Brakes – another Brighton outfit formed with members of British Seapower & Tenderfoot.

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Alex and Tom as youngers

I bumped into Tom White one day in the framing shop in The Lanes and said ‘hi, I’m a friend of Alex‘.   I went to see Clowwns at the Prince Albert one night, Miles Heathfield‘s excellent band, Tom was on drums.   The brothers kept popping up at gigs around town.  Then, suddenly, their Mum died.  In their grief, a benefit concert was arranged down at The Concorde on the seafront, almost directly below our house.  I went along and saw the cream of the Brighton musical establishment playing for the brothers, including Field Music and Electric Soft Parade themselves, playing their first gig for some time.

What was great for me about discovering further musical riches in my home town was that sense of things being joined together.  Pretty much any musician I talked to knew them.  Among my joyous memories of local bands (or bands who’d based themselves in Brighton) were Mike Lord‘s tremendous outfit Stars & Sons in which Paul Steel played bass and Luke Sital-Singh played guitar – both now incandescent solo acts with Julian’s Raygun Records along with ace punk-rock group The Xcerts.  My friend Tim Lewis was now dating a beautiful young lady named Beth Hannah. Her father is Ian Hannah of this parish, a massive music fan who enjoys going to local gigs (like me) and would always be seen at anything involving the White brothers.  He is their biggest fan I reckon!  So  often the crowd would be me, Tim and Ian with maybe Andy or Will or Keith or whoever we can rustle up.  The live scene there is ace.

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Tom White, Alex White : The Electric Soft Parade : “Idiots”

The following year or maybe the year after that they released their fourth album “Idiots” which was on the Helium label and had a rather brilliant front cover (see above).  One of the songs on this album caught my ear and never let go.   Summertime in My Heart is a wonderful piece of songwriting & playing by the brothers White, conjuring up endless sunny days, carefree afternoons and long lazy evenings with people you love and bottles of cider.  It references sounds like The Byrds jangly guitar pop, The Las from Liverpool and the fresh punk-pop of The Undertones.  But really it sounds just like them.  My wife Jenny adores the song with its sibling harmonies mixed high in the production, and references to catching “the first bus into town“.  Perfect pop.

I don’t know if Idiots” got much traction, had good reviews or sales, but it seems not which is one of the many crimes against perfect pop that have been perpetrated over the years.  I reference here one of Brighton’s other fine musicians, Paul Steel, and his 2nd album Moon Rock which was released in Japan and is now available on iTunes, but very few people know about it.  Such a shame.

Disheartened they may have been but it didn’t dent their confidence, as evidenced by the next move.  Around this time they both produced albums on their own – Alex made a perfect copy of Steely Dan’s Katy Lied :

https://theelectricsoftparade.bandcamp.com/album/katy-lied

while Tom made an equally perfect copy of Fleetwood Mac’s Rumours :

https://theelectricsoftparade.bandcamp.com/album/rumours

Because why not? !!

Alex was also making an album inspired by his mother called Interlocutor at The Levellers‘ studio near Brighton College playing-fields with mates and wanted some of my alto saxophone on it.  The dates never quite worked and I’ve never heard the finished product, if indeed it was ever finished.

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Tom made a handful of solo LPs, including Yalla recorded in Egypt (all his stuff is great by the way) and then formed a new band called The Fiction Aisle.  I love this band too.  Their first album was a stunner, called Heart Map Rubric. To date they have produced four albums – three studio releases and a live LP  which came out last month (April 2018) with Alex playing guitar which was welcome news since every time I’d seen Alex recently he hasn’t been buoyant.  The previous last time (I think) was at a Fiction Aisle gig in Brighton in December 2016 where Alex was on DJ duties and we went back to his mate’s flat for a few beers and smokes afterward.  It was nice to see him again.

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Earlier Tom had spied me on the pavement smoking eternal cigarettes as ever & I’d congratulated him on the gig and yet expressed disappointment that it didn’t sound like my favourite album of theirs Fuchsia Days.  Different line-up, instruments, energy.  Tom was full of joy and told me that he and Alex had been hanging out at Preston Park earlier in the year listening outside the perimeter fence to Brian Wilson & his band playing Pet Sounds and melting into their musical boots.  I was inside with Paul Steel & his partner Hollie his partner & Martin his dad (see My Pop Life #1 and #2) and wondering why Brian was singing like Frank Sinatra and breaking up the rhythm of the phrases.  There is a school that believes that Brian can do whatever he wants and there is a smaller group of devotees like myself who want to hear the song, not the singer’s experimentation.  Ah fuck it, he can do whatever he wants, course he can!  He’s a living savant.

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Brian Wilson at Together The People, Preston Park Brighton 2016

So Tom says “we loved Brian Wilson and we’d like to play in your band if there’s space“.  My band being The Brighton Beach Boys who started out playing the music of Brian Wilson then The Beatles, now Bowie, John Barry and everyone you like (see My Pop Life #111,  My Pop Life #154,  My Pop Life #169  and others…)   There was a little bit of band politics to follow, but in the end we needed a new drummer who lived in Brighton for we were at that time rehearsing The Beatles’ Magical Mystery Tour LP for its 50th Anniversary to play alongside Sgt Pepper and… well, our regular Ringo the reverend Thomas Arnold was out in Macau and other exotic loci with a Michael Jackson show entitled Thriller.  Early in 2017 I flew back to the UK for a rehearsal and there was Tom White on the kit.  Very happy to see this fresh injection of talent and energy.   And a new generation.  Good for the band I thought.  And he loved the lack of stress, as he put it, playing other people’s music.   Not sure if all the band felt that way!  The following months were a joy for me, and all of us, he gobbled up everything we threw at him, including, of course, backing vocals by the score.  And fake animal heads of course.

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Tom at rehearsal playing er…I Am The Walrus

(the walrus was Paul : see  My Pop Life#118)

That summer (time in my heart) of 2017 we happy few played Brighton Festival, Windsor, Liverpool (!) and London together.  Enjoying those two mighty albums. For another post no doubt, it will remain one of the highlights of my life.

Alex meanwhile had retreated into not really wanting to play music.   Until he turned up on the 4th Fiction Aisle (live) album sounding quite amazing.

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I really should mention the drummer Damo Waters too who is a monster player and who spreads himself among the high end Brighton music scene like caviar on Armenian toast – I’ve seen him with Clowwns, Field Music, ESP and others, always outstanding.

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 I really wanted the brothers to play Summertime In My Heart at my 60th birthday concert in the summer of 2017 (see My Pop Life #200) but Alex was in the slough of despond and didn’t like being in rooms full of people, or even know if he wanted to play music any longer.  I think he’s better now.   I hope so.  I know that struggle.   Tom sang Simon & Garfunkel’s America with Kit Ashton, closing the circle of karma with which we started 1932 words ago and we all ended up on the beach at dawnIMG_2993 Tom White & Paul Brown my dear brother, dawn, June 19th 2017

Ladies and Gentlemen, I give you : the White brothers as the magnificent Electric Soft Parade :

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