My Pop Life #32 : Everything I Own – Johnny Nash

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Everything I Own   –   Johnny Nash

…you sheltered me from harm…kept me warm, kept me warm…

October 1974 in East Sussex.   I’m in the final year at Lewes Priory, doing A-levels in English, Geography and Economics, we’d successfully abolished school uniform in the Upper School (5th and 6th forms), I was playing in a school band called Rough Justice with kids from my year – Conrad Ryle, Andrew ‘Tat’ Taylor, and Andy Shand – and Tigger on drums, (who I only saw at band practice and knew nothing about.)   I was going out with Conrad’s sister Miriam and spending most of my time in their house Waterlilies just below Kingston Ridge where the band practiced.  Home though, was 25 miles away in Hailsham where my mum was struggling to raise 3 teenage boys and a young daughter of two (my sister Rebecca) on her own.  The threat of a nervous breakdown always hovered over her, and us, the cupboard of tablets above my chair in the kitchen, always at arm’s length;   I knew what they all were, but never ever took one even for curiosity.   I was taking my own drugs, notably cider, LSD and red Leb or Afghani black, and I wasn’t going to dabble in hers.   There would be a crisis from time to time and Mum would disappear for two weeks into Amberstone Hospital and we would run the house ourselves – at 17 I didn’t need to be farmed out to the Ryles, or the Korners, or the Smurthwaites, or the Lesters – all schoolmate’s homes where I’d found shelter over the previous 6 years.   Maybe that’s why this song pinged so hard that autumn.   Maybe it was my love song for Miriam and her family, the Ryles, who had been hugely generous to me and given me a safe haven and even come to visit Mum on one occasion since dad Tony Ryle was a psychiatrist working at Sussex University.   Or maybe, just maybe Everything I Own was just the perfect pop song.

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It’s certainly that.  It’s a lover’s rock cover of a song by David Gates of US band Bread that doesn’t bother with the 2nd verse and repeats the delicious middle eight twice (“If there’s one thing you know…”) over a light reggae backing and a simple vocal harmony.   But there is something eternal about it, perhaps bottled in my teenage memory as a moment of safety and warmth among the strange inchoate horrors of growing up, perhaps in fact I was a happy teenager, not carrying a cross at all until later when I looked back at those supposedly dysfunctional years.   I really can’t remember, but I know Mum wanted me home more than I was, and that there was a sense of Paul and Andrew, my brothers, having “their turn” at dealing with the doctors and the tablets.

On the radio :  David Essex, Barry White, Mud, ‘Kung Fu Fighting’ and ‘Sad Sweet Dreamer’.  On my stereo in the bedroom :  Gentle Giant, Van der Graaf Generator, Spirit, Roxy Music, David Bowie and The Beatles.  But Jamaican music was always in the charts in those days, from My Boy Lollipop and Israelites through to Double Barrel and Young, Gifted and Black.   But we didn’t really consider them reggae to be honest.   They were pop music.

Featured imageCapstan Full-Strength, 10 Number 6, Sunday paper round, Reading Festival, hitch-hiking to Brighton and Virgin Records, playing football Saturday mornings for the school, half an ounce of Golden Virginia and a packet of green papers for Mum.   The seventies.   Dad a train journey away in Eastbourne, just married again.   Mum was already divorced again.

These were the days of “Ralph, Paul…………..and Andrew”  the legendary firm of local solicitors where the junior partner had his own bedroom and would always play in goal in the large field outside the back door, where Paul and Ralph would fire the ball at him from long distance and point-blank range.   The days when a package would be delivered by Postman Pat, an advert answered from the back pages of Melody Maker, a pair of loons with a note signed “Peace…Jud”.   The days when all holes in jeans were to be welcomed as the basis for a new patch, sewn on by Mum of course, where shirts were tear-dropped and shoes were stacked, but where tops were tie-dyed or embroidered,  and patchouli oil and hemp became normal smells, although Miriam wore Diorella and I was probably toying with Old Spice.

We liked this song in 532 Salternes Drive (33 Newton Park) on the Sin City estate in Hailsham because – like Days by the Kinks (see My Pop Life #147) or Cottonfields by the Beach Boys or You Are Everything by Marvin Gaye and Diana Ross, we could sing in harmony together.   The simple pleasures.

1 Comment (+add yours?)

  1. Ralph Fisher
    Dec 25, 2016 @ 18:22:17

    This has to stop, right now. Old Spice, 10 No. 6 and patchouli oil? All staples of my 1974-1976 self, and then came punk…

    Liked by 1 person


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